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Pyramid

Background

After introducing the wildly successful SE 9 amplifier, several customers have written that they would like to see more efficient nOrh loudspeakers. We point out that the Prism 6.6s are quite efficient but they are outside the budget for many of our customers. Several customers have suggested various drivers that they would like to see us use to increase efficiency.

There is a difficult balance that all loudspeaker designers have to play with. These include, size, efficiency, power handling and bass output. Generally speaking, you have to give up something to get something. A speaker that is more efficient will likely produce less bass. The reason is that efficiency is generally obtained by making the cone lighter. Lighter cones will generally produce less bass in a given size cabinet.

One of the drivers that was suggested to me would roll off at 150 Hz. This would absolutely force customers to buy a I also believe that the drivers we have been using simply sound better with more amplifiers that the drivers that had been suggested. There is another way to improve efficiency. That is to use more drivers. This also increases power handling and lower distortion. The drawback is that as you add more drivers, you have to increase the size of the cabinet and the additional drivers increase the cost.

I designed a loudspeaker two years ago that I never released. It used three full range drivers and fit into a corner. The idea was that for home theater, you could put the speakers into the corners of the room. It seemed like a good idea until I started noticing how few room had four corners. The speaker sounded very good but it stayed on the drawing board. I had also designed a center speaker I called the Wedge. It looked like the nOrh 4.1 but was designed to be hung from the ceiling. The speaker had three drivers. One pointed to the center, one to the right and one to the left. The listening tests had been gone very well but it was another project that never saw the light of day.

Linda with Pyramids

The Pyramid viewed from top

As more and more people asked for efficient speakers, I tried to dust off these older designs and see if I could do anything with them. I asked our factory manager to mount three drivers in an 11 meter drum so that we could do some tuning. She sent over two pairs. One pair had three drivers and the other had four drivers. I don't know exactly way but the four driver version sounded much better. I know that four drivers should sound better but I don't know why it was so much better. The improvement was dramatic.

I started thinking about what could we do to put four drivers on these older designs. I thought that I could mount a driver on the back of the Wedge. That wasn't possible because the area wouldn't be enough to handle the two magnets. It then occurred to me that we could do a pyramid. We did some research and found that pyramids were built with a variety of angles from 38 degrees to over 53 degrees. The pyramid designers finally settled on 51 degrees as the right angle for pyramids. During my research, I also came across several articles that spoke about the perfect acoustic nature of pyramids. I even came across an article that talked about a musician who recorded inside a pyramid and a description of how great the recording sounded.

I only got one prototype back to test. I decided to test it as a center loudspeaker. I brought the Pyramid up and replaced my 5.1 which I use for my center speaker. I put on Anaconda. I wanted a movie that was quite noisy so that I could see how well the dialog kept up. I was absolutely astonished with the way the Pyramid worked. Not only was the dialog loud and clear, it was powerful. I moved around the room and the sound was always the same.

I wanted to hear a pair. I called the factory manager and told him to rush me another Pyramid. The next day, another Pyramid showed up and I decided to try them out on music. I played James Taylor's JT album first and followed by Jimmy Buffet's Son of a Son of a Sailor. I picked these two albums because I have been listening to them for over 20 years and because I believe that voice is the very best instrument to judge loudspeakers - followed by piano and then violin. I spent two hours listening. This was a rare treat for me because I rarely allow myself this much time. The sound was astonishingly good but I heard a bit of harshness that I knew would go away with enough burning in. I let them play for about thirty hours so that I could hear what they sounded like fully broken in. I put on some Louis Armstrong's "I've got the world on a string". This is not a particularly well recorded album but I was just in the mood to listen to it. Listening to "I Don't Get Around Much Anymore" I realized I was listening to some of the most musical sounding loudspeakers I had ever heard. The sound was live. It sounded real. The image was perfect. I continued listening to the entire album. I then put on Dave Brubeck's Take Five followed by Diana Krall's "When I Look in Your Eyes".

Just in case I was patting myself on my back too hard, I decided to get some other people's opinion. I brought the nOrh staff up to listen. They all commented how live the speaker sounded. They all said they sounded fantastic.

The Technology

The Pyramid has four full range drivers mounted on all four sides of the speaker. Each side is tuned so that the sound coming from each side is identical. This means that no matter where you sit, you are sitting, you will hear exactly the same thing. If the speaker happens to be to your left, you will hear the same as if you are sitting right in front of the speaker. With a pair of Pyramids, you will enjoy the full fidelity of the music, no matter where you are sitting.

This is dramatically different from how most loudspeakers work. Most loudspeakers are omnidirectional but only for some frequencies. Bass information below 100 Hz is omnidirectional while frequencies above this become more and more directional. A very good generalized way to think of this is that a woofer is like a light bulb while a tweeter is like a spot light. If you walk around a loudspeaker, you will hear the information from the woofer but you will loose the information from the tweeter. This is why most loudspeakers have a very small area where you actually hear the correct stereo image. This is called the sweet spot. Some people will toe in their speakers because they sound better. This is because they are pointing the tweeter where they are seated so that they get all of the information from the tweeter.

With the Pyramid, the listener is free to roam around the room and enjoy the music. Because there are four drivers, the Pyramids are unbelievably sensitive. They are rated at 94dB sensitivity. I have seen other efficient loudspeakers but many of them will handle no more than 15 watts. The Pyramids will easily handle 80 watts. At 80 watts, the Pyramids will produce more than 109 dB!!! The Pyramids will play louder than this but nobody should ever play their music this loud.

Equally adept in the desert or in your living room

It also goes without saying, there are no parallel surfaces.

Pyramid Specifications
  • Omnidirectional
  • 4 x 3 inch full range drivers
  • Sensitivity is 94 dB at 1 meter
  • Maximum power handling is 80 watts
  • Frequency response: 65 Hz to 22, 000 Hz +/- 3dB
  • Dimension: 50cm X 50 cm X 35 cm (WxLxH)
  • Weight: 15 Kg

The Pyramid is a classic design

The Pyramid for Home Theater

Remember that there is a sweet spot for listening to stereo. This sweet spot is positioned between the loudspeakers about the same distance from the loudspeakers as the speakers are apart from one another. Assume we have a room that is 12 foot long. We have the speakers two feet from the wall and eight feet apart. If we sit between the speakers eight feet back, we should be in the sweet spot. Some speakers might be different, this is an average rule.

Pan, our factory manager with the Pyramids

Suppose we put the speakers right up against the rear wall. In a 12 foot room, the speakers are only two feet behind the listener. This is not far enough away from the rear speakers to be in their sweet spot. To solve this problem, some people put the speaker to the side. This would work except that the information recorded onto the tracks assumes that the sound is coming from behind the listener and not from the rear.

Recently, some decoders have tackled this problem by adding additional drivers. Dolby EX adds a sixth speaker in the center rear and there are also seven channel arrangements. All of these are trying to come up with a way to get the correct information from the rear channel to the listener.

The Pyramid provides an elegant and inexpensive solution. Because there are four drivers, it doesn't matter if the speakers are only one foot behind the listener. There will always be a full range driver pointed at the listener.

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